
In this classic play turned to movie, a young boy goes against the wishes of his father, a Jewish Cantor, and runs away to become a jazz singer. The plot is more than that, but that is the basic idea. I don't think people give this movie enough credit for plot. It is a classic example of old vs new, father against son, redemption, forgiveness, and family love.
Jolson plays the grown son - and he is interesting. His music performances and his acting are on two different levels. Which tells you something, I think, about him as a performer on stage - although I will like to pre-mention that both sides are wonderful. As a "straight" actor, I was surprised at home simple his performance is. I expected a lot of play-up and gimicks and heavy handed gestures, much like his singing persona. But he doesn't do that (well, I mean, a lot - he does to a certain extent, but that just has to do with expression in a silent film), instead you see him making subtle choices. I don't know why, but that surprised me. When he sings, it is completely different. From what little I know about Jolson, I gather that he used blackface to put on a mask for his performances. A release, in a way. And you can tell that is true, because something about him changes when he performs - even when he is not in blackface. Considering his career, you can see how the mask exceeded the make-up and became an act. This style, this act, this mask carried him to legendary stardom on Broadway and in show business, and with this film, Hollywood.
The songs are delightful - including Irving Berlin's great 'Blue Skies', the story is fascinating - this movie can not go wrong.
It's wonderful, and everyone should see it at least once in thier life.
4 out of 5 stars
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